Robin Hood Movie Review

The story of Robin Hood, written with heroism and rebellion against injustice, has been adapted to the large screen dozens of times and has always been a story loved and adopted by the audience. The comedy was even made into a cartoon version for youths within which Robin is that the fox. The lead role of the last adaptation, which was released on, was given to Taron Egerton, who you will remember from Kingsman. Its director is Otto Bathurst, whose name isn’t known aside from some TV series episodes.

One of the previous versions, the 1991 film directed by Kevin Reynolds narrated Robin’s transformation from a spoiled wealthy brat to a folk hero with the assistance of his childhood sweetheart Marian and Azim whose life he saved, while also containing superb and funky action scenes for its time. Yes, Kevin Costner was a small amount old for the role and therefore the role earned him a razzie award, but the fun, riot, action and romance of the movie was good if you inquire from me. Written by Bryan Adams, the song was undeniably an emotional and enjoyable fairy tale, if not a masterpiece, after you add Alan Rickman’s haunting but very enjoyable Sheriff of Notingam and Morgan Freeman’s incomparable Perseverance performances. Years later, Ridley Scott adapted the story to the large screen with a very different interpretation, for a few reason even changing Robin’s identity.

Russell Crowe starred in Scott’s version and co-starred with Cate Blanchett, who played Marian, which was dropped at the fore a bit more. While the movie was filled with battle scenes, it had a darker atmosphere that approached the drama. As for the 2018 version, the movie is messy as if it mixed these two versions and tried to feature a touch little bit of Batman’s charisma to that. the story flow is harking back to the primary movie. coming back from the crusade with a Muslim Arab (for some reason, little John) with him, Robin turns into a fish out of water, having found his house shattered and his lover Marian married to Will Scarlet (Jamie Dornan). Having a vengeance, fictional character (Jamie Fox) convinces and trains him to rob him by gaining the trust of the Sheriff of Notingam (Ben Mendelsohn) and thus stop the Crusades.

The film emulates Zorro in these short training sessions, so turns fictitious character into Bruce Wayne. Our character, who easily gains the sheriff’s trust while showing off the money that nobody asks where he got it, is confronted by Will Scarlett, who, within the last analysis, feels like he came out of House of Cards along with his political ambition. This a part of the political discourse of the movie is additionally interesting. The rhetoric that’s too heavy for a Hollywood movie of this caliber up-to-date is interspersed with the script of the movie. Although the story of fictitious character, who may be a total rebel and almost encompasses a socialist reading by taking from the rich and giving to the poor, may be dropped at the agenda as a reaction to the political structure of the USA, the film does this in such a slipshod way that it’s not very effective. In other words, the fictional character of 2018 cannot decide which story to inform or the way to tell it.

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